Groove Theory
Welcome to Groove Theory
Funk music became popular during the Black consciousness movement in the late 1960s and 1970s. And since music is central to Black cultural philosophy, artists like the great harpist Dorothy Ashby recorded funky jazz. Black novelists, poets, and visual artists also experimented with the concept of funk.
Groove Theory is conceptually located in the lowdown blues section of the Mothership. As such, we are dedicated to the foundations and manifestations of the African-derived spiritual knowledge commonly known as the Funk. Throughout American history, the central precepts of the funk aesthetic have informed artistic innovation in multiple mediums.
Groove Theory / Programs & Interviews
Click below for lively discussions!
21
November
2020
MAKE IT FUNKY: A SPECIAL EDITION FOR GROOVE THEORY
VIRTUAL BOOK PARTY!!!
LOCATION:
ZOOM
2
April
2021
GROOVE THEORY @YOUTUBE CHANNEL
Funkin' in the Dirty South: A Conversation with C. Liegh McInnis
LOCATION
ZOOM
17
July
2021
SOUTH FLORIDA BOOK FESTIVAL
Groove Theory / Book Talk
LOCATION
ZOOM
Countdown
JULY 17 , 2021
Reviews
In Groove Theory, Tony Bolden takes his readers “to the bridge and drops them off into some funk." Through songs, literary fiction, interviews, memoirs, and provocative case studies on Sly Stone, Chaka Khan, Gil Scott-Heron, and the inimitable Betty Davis, Bolden identifies funk’s fundamental essence as grounded in the blues. His interdisciplinary riffs on the musicians, histories, and social contexts that led to the funk genre brilliantly address the reasons this musical style is considered a musical lingua franca of the pop world. As a songwriter said, “funk not only moves, it can remove—dig?" Groove Theory does both and with style. — Guthrie P. Ramsey Jr., author of Race Music: Black Cultures from Bebop to Hip-Hop and The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop.
In a holistic critique of the meanings of funk and the multiple black vernacular expressions that collectively have shaped the funk aesthetic, Tony Bolden's Groove Theory: The Blues Foundation of Funk takes readers on a cultural and historical journey. Using vivid illustrations of music making for over four centuries—beginning with African ritualized practices, their manifestations as the impulse and emotive character of both spirituals and blues that carried over into jazz and gospel—Bolden identifies specific cultural and musical traditions as progenitors of funk in its development as a distinctive musical genre. This indispensable monograph undoubtedly will influence new approaches to the study of funk. — Portia K. Maultsby, coeditor of Issues in African American Music: Power, Gender, Race, Representation and African American Music: An Introduction, 2nd edition.
For many years Tony Bolden has been evangelizing a theology that considers funk as an aesthetical practice, rather than simply a musical genre. Groove Theory is his fully realized exegesis of the interconnectedness of blues, funk, black literary practices, and identity politics. This book is an eloquent and illuminating study that employs a more expansive theoretical and historical lens than what has been advanced through funk historiography. It is timely and much-needed work as it reminds us of how black folks have continually used language, rhythm, and sound to advance epistemologies that have been central to their survival in America. — Tammy L. Kernodle, professor of musicology, Miami University in Ohio.
Groove Theory is an essential addition to scholarship on funk. Tony Bolden does important work here, replacing the vague musical definitions that too often accompany his subject with deeply researched histories and carefully analyzed sonic descriptions. Despite Bolden’s precision and knowledge, he never freezes this vital music in amber, but helps us to appreciate its cultural power anew. Chapter after chapter he leads the reader to view famous figures like Chaka Khan in a whole new light, while revealing fresh insights into lesser-known artists like Betty Davis. This is the book on funk we have all been waiting for, so put a glide in your stride, a dip in your hip, and come on up to the Mothership! — Nate Sloan, assistant professor of musicology, University of Southern California Thornton School of Music, and coauthor of Switched on Pop: How Popular Music Works and Why It Matters.
Gallery
Phunkativity.org
Assorted LPs
Sounds of Blackness
Black music has traditionally functioned as our people's literature. And more often than not, even today, notwithstanding the hard-won prizes and outstanding achievements that Black scholars, filmmakers, journalists, and literary artists have garnered, music is a form of storytelling that captures our beauty and contradictions, pains and pleasures, insights and attitudes.
The Funk Archive
Analog Section
Love City
Sly Stone
New Orleans Literary Festival
Funk
Rhythm
Stank
Left Of Black
Left Of Black
Who Knows
Foxy Lady
Make It Funky IV
Tribute to Lauryn Hill
Make It Funky V
Tribute to Kendrick Lamar
Make It Funky VI
Tribute to Prince
Funk
Book Party
Blue Funk
Organic Intellectual
Ite
LorFu
Blue Funk
Gil Scott-Heron
Bootsy on Groove Theory!!!
Bootsy Shout Out
Groove Theory
Blue Funk